Conundrums of trance-a self composed blog: I Move on (silence heard remix).mp3

Saturday, December 29, 2007

I Move on (silence heard remix).mp3

This one is the remix of the track "I Move on" . So would recommend to hear the orginal track first. I have forgotten to credit one essential enity which left the dark genre of mine in abeyence and led me to this way. Well the poem and the platform's been given by Anusha.

This track of mine has got nothing but just different instruments, and they are nothing but strings at different scales.

Very soon I would be closing the series release of "I move on " with a Rock remix.

thanks to Anusha....;-p

http://www.sectionzmusic.com/detail.asp?SZID=27134

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History of Dance & Trance Music

Electronic dance music hs been around since the mid-1980s, and has enjoyed popularity in many nightclubs. The term "club music", while broadly referring to whatever music genres are currently in vogue and associated with nightclubs, has, for some, become synonymous with all electronic dance music, or just those genres — or some subset thereof — that are typically played at mainstream discothèques. It is sometimes used more broadly to encompass non-electronic music played at such venues, or electronic music that is not normally played at clubs but that shares attributes with music that is. What is widely considered to be club music changes over time, includes different genres depending on the region and who's making the reference, and may not always encompass electronic dance music. For example, as of 2006, hip hop music, being widely played in clubs, is one form of "club music" to many, but a smaller percentage would describe it as being a form of electronic dance music. Similarly, electronic dance music sometimes means different things to different people. Both terms vaguely encompass multiple genres, and sometimes are used as if they were genres themselves. The distinction is that club music is ultimately based on what's popular, whereas electronic dance music is based on attributes of the music itself.

About Techno and Trance Music

Beginning in the 1980s, Ambient music influenced some pop bands (examples can be found among instrumentals by New Order, Depeche Mode, Simple Minds and U2). Later, electronic dance music and synth pop merged in many artists' works with the dreamy, meandering sound of Eno-style ambient music. Under the guise of various styles, this new genre sometimes referred to as ambient house, ambient techno, ambient dub, IDM, ambience, or simply "ambient" in common use, saw the birth of a new wave of artists like The Orb, Aphex Twin, the Irresistible Force, and Geir Jenssen's Biosphere.
Early Warp records artists, (as well as later ones such as Aphex Twin), FSOL Future Sound of London (Lifeforms, ISDN) Autechre, (Incunabula, Amber), Boards of Canada, Massive Attack, Portishead, and The KLF all took a part in popularising and diversifying ambient music. There are now a dizzying array of different sub-genres, festivals, websites, discussion lists, clubs, labels and artists making new, interesting, original music.
Ambient music has been used in many television shows and motion pictures and is notable for contributing to their atmosphere. Being an alternative to canned incidental music or stock music cues, it also gives the musician artistic freedom. The traditional practice of composing for film or television usually involves the composer creating recognizable theme songs or jingles for the setting, hero or villain, and for plot elements such as love interest, action, and death scenes. However, ambient music is noted for taking a less formulaic approach in its use in film and TV shows. David Lynch's 1984 film Dune, for example, forgoes the epic sci-fi adventure style theme music popularized by Star Wars in favor of a more atmospheric music score by Toto and Brian Eno.

Conundrums of trance-a self composed blog

Saturday, December 29, 2007

I Move on (silence heard remix).mp3

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